21 February 2017

Film Review | The LEGO Batman Movie directed by Chris McKay

I never reviewed 2015’s LEGO Movie as, shortly after its release, I read a review that quoted the writer’s child, whose one-line offering encapsulated my own views far more concisely than I could have. As a huge fan of Batman and DC as well as LEGO, though, I’ve got plenty to say about this year’s LEGO Batman Movie. Truth be told, I’d been looking forward to it as much as T2 or even The Last Jedi.


The LEGO Batman Movie is far from being the brick-built Caped Crusader’s first on-screen outing, though. Since the original, straight-to-home video LEGO Batman movie (DC Superheroes Unite), he’s made countless home video appearances, mostly alongside his Justice League compatriots (and all conveniently to be found on DVDs displayed at the end of most supermarkets’ aisles, right next to The LEGO Batman Movie sets and minifigure packets), before playing a major – and arguably show-stealing role - on the silver screen in The LEGO Movie. Yet The LEGO Batman Movie is the first not only to properly showcase the ninety-year-old DC icon, but also to celebrate him, and everything that he is – and could never be. It’s as if all the triumph and tragedy of the Dark Knight has been distilled and exaggerated to such a degree that everyone from the three-year-old moviegoer to his reluctant granny will instantly connect with the character.

ROBIN: Wow! Does Batman live in Bruce Wayne’s basement? 
BATMAN: No, Bruce Wayne lives in Batman’s attic!

This movie’s Batman is, as he should be, a one-man crime-fighting machine. It’s also implicit that he lost his parents in his youth, but without LEGO having to terrify its youngest viewers with unnecessary flashbacks to their murder. The film even buys into the old DC conceit that “Superman is just Clark Kent in a cape, but Bruce Wayne is Batman’s mask” by literally having Batman don the cowl throughout the movie (unless Alfred forces him to take it off in order to masquerade as a playboy billionaire). Where the LEGO Batman differs from his comic book and counterpart though is in his attitude. For a man who “gets up at four in the afternoon every day to pump iron” so that he can keep the city safe, he’s bombastically selfish and arrogant – traits upon which most of the movie’s comedy is built. From his opening voiceover dissing Superman to his (priceless) claim of having nine abs and his willingness to use Dick Grayson as “expendable” cannon fodder, Will Arnett’s heavy metal, beat-boxin’ Batman is a study in narcissism. The man’s in the wrong trade - he’s practically a walking WWE promo.


Yet inside, he’s still the child that lost his parents. He throws actual tantrums rolling around on the floor (his “No, no, no, no…” perfectly in tune to the old TV series’ famous theme), gets put in time-out, makes himself laugh with childish passwords (“IRONMANSUCKS” and “ALFREDDBUTLER”), and eschews any meaningful connection to anyone to avoid the pursuant hurt. I love in particular the humorous insight that the movie offers into Batman’s – not Bruce Wayne’s, mind, Batman’s – home life. He gets in from “work”, slips into something more comfortable (still wearing his cowl, obviously), then sits down to laugh at a romantic film, which he seems to genuinely believe is a comedy. It’s brilliant. The film straddles the fine line between tragedy and humour dexterously, somehow portraying a tragic character as a hilarious one without really altering any of his core characteristics.

ROBIN: Kids call me Dick.          BATMAN: Kids can be so cruel.

On the hero side of the divide, most of the heart and humour is borne of Batman’s relationships with his bumbling ward, Dick Grayson (Robin), his loyal butler – and surrogate father – Alfred, and the newly-minted Commissioner Gordon… Barbara Gordon. The first admires him, the second loves him, and the third thinks that she’s better than him (and what’s particularly funny is, she actually is – just look at the stats she’s got to prove it!) Every scene manages to be both witty and insightful, making the audience laugh while progressing the narrative and, more often than not, making light of hitherto inviolate comic book lore. Take Batman telling Robin to use the “dark parts” of his [bright yellow, red and green!] costume to blend into the night, for instance - it leads into Barbara promptly spotting them both, reinforcing Batman’s ineptitude in her eyes. Similarly, Batman’s aggressive, unforgiving “encouragement” of Robin as he infiltrates Superman’s Fortress of Solitude leads into a delectable scene in which a devastated Batman finds the entire Justice League – not just the big guns, but Hawkman and Hawkgirl, Green Arrow, the whole lot of ’em – having a party without him.


Villain-wise, Seth Grahame-Smith’s narrative blossoms out of Batman’s crippling limitations as a human being – he’s even an inconsiderate adversary, it seems. Poor old Joker, who wants nothing more than for Batman to just acknowledge his status as the Dark Knight’s foremost foe, finds himself casually spurned in favour of the likes of Bane and Superman –“He’s not even a bad guy!” protests the Clown Prince of Crime – as the Caped Crusader likes to “fight around”. So unfurls a plot that sees the Joker willingly committed to the Phantom Zone so that he may return with a legion of horribles, all intent on putting Batman and his precious Gotham City to the sword.


An action-packed but thoroughly riotous mêlée ensues, and so Batman has to turn to his accidentally-adopted “son”; his war-dog of a butler dressed as the 60s’ Batman; Barbara “Batgirl” Gordon; and, best of all, all the scum and villainy of Gotham City in order to battle the Joker’s forces of darkness. And what a force they are - Voldemort, Sauron, King Kong, the Wicked Witch of the West, even the Daleks. Watching The LEGO Batman Movie made me realise how fortunate the kids of today are – they’ve got it made built. Yeah, they might have to put up with populism gone mad (specifically Brexit, Trump, and the wacky notion that a female Doctor Who is not merely “OK”, but somehow inevitable), but on the flip-side they get to see Batman fighting Daleks and enjoy some mind-blowing merch. The movie’s tie-in sets are impressive enough (my eldest daughter opted for set 7092: Catwoman Cycle Chase - not to get the Catwoman and Batgirl minifigures, but for the hilarious and endearing Robin, whom she seems to be half in love with), but the twenty-strong minifigure series is something else altogether. Lobster lovin’ Batman and Catman are joined by allies and adversaries both obscure and nefarious; like the film, it’s a celebration of ninety years of Batman – even the camp and concealed bits. The LEGO Batman Movie is less a film, more an event.


Building upon the spirit of 2015’s LEGO Movie, 2017’s LEGO Batman Movie takes the franchise to a whole new level. Photo-real animation brings to life a story that’s as surprising as it is funny, and as emblematic of both the LEGO and Batman properties as anything possibly could be. ’Twas surely for this film that the phrase “best of both worlds” was coined…